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With their faces of sweet lunatics or lighted beaufs, citizens of the ordinary or pochards between two wines, they interpret, in twos or threes, conversations seized on the zincs of the bistros or in the corners of our kitchens. A few minutes of delirium or absurdity. The Deschiens are the actors of Jérôme Deschamps's troupe, who, as usual, with his accomplice Macha Makeieff, track down the little nonsense of everyday life, between humor and ferocity.

À l’hôtel Les Pieds dans l’eau, Rosa, femme de chambre surmenée par son manager stressé, tente d’échapper un instant à une réalité où les employés s’épuisent pendant que les clients roupillent.

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Accoudé à la terrasse d’un café de ma ville, je n’ai pas réussi à voir une seule étoile à cause de la lumière des réverbères. “在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 多久没有看过天上的星星了？一天，亦或者是一周？还是，根本看不到了星星？还记得小时候仰望夜空的时候，北半球的星空图，总有一些星座你认识，但是如今还能找到么？你也有多久没有去郊外玩过，是因为没有时间，还是根本没有了“郊外”——无论到哪里都是人山人海，所有的景点都被开发殆尽——住在城市里的我们，还能逃往哪里？ Sylvain Vincendeau曾在法国“疯影（Folimage）”任职，后者曾是长篇动画《青蛙的寓言》等，短篇《和尚与飞鱼》的制作公司，是个集艺术与商业一体的动画公司，在法国动画史上享有不可磨灭的地位。 “在城市里靠着阳台喝咖啡，可强烈的灯光让我我还没有看到一颗星星。” 这就是这个故事的灵感来源。 这部电影作为对日常生活的思考，我确实只想要一些安静的生活，一些缓慢的节奏，让我逃离城市的纷扰。 采用了蜡笔的绘制，这部片子将重点放在了气氛的营造上，这就是为什么这部影片使用了一种广播中的杜比立体声。——只有一个主角，但是喧闹的环境音效却反衬出一种“鸟鸣山越静”的城市孤独感 最后，没有任何对话和华丽的技术，这些反而更能表达出电影的气氛 Sylvain Vincendeau 1998

A woman sitting in front of a screen: we do not know if it is day or night outside. In this place, the light of the screens dominates that of time. The inner voice of this woman recounts a solitary and reclusive life and her confusion in front of an old black and white photograph that she has just e

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A fascinating immersion into the realities of the European Parliament, alongside three MEPs – Lara Wolters (Labour, Netherlands), Heidi Hautala (Green League, Finland) and Manon Aubry (LFI lead candidate for the June 9 elections, France) – determined to get the European Union to pass a law on the human and environmental responsibilities of companies, particularly multinationals. How, in just a few months, will they be able to secure a majority without watering down the text? While a dramatic saga came to an end in March with the adoption of this directive on the "duty of care," whose scope was nevertheless weakened by governments, the struggle of these three women sheds a harsh light on the issues at stake in the upcoming elections and the power relations within European institutions.

This romantic, political drama is about the reunion of an Algerian woman who abandoned her lover 35 years earlier to live in France, and the lover who chose to stay in Algeria and fight the French colonials.